Dance for Camera "Spiritual Awakening".
- Oct 20, 2018
- 2 min read
An Awakening is when the confused and frightened self transcends to a higher consciousness, a awareness full of love and peace.
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Camera angles I'd like to work with.
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Visual effects and editing techniques.
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- Slow motion
- Speed up (into slow motion)
- Colour contrast from greys to colour
- Timelapse
- Lighting properties
- Quick scene flips
- Mirror effect
- Use of shadows
Props of interest.
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Locations.
Alexandra Palace.
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Forty Hall Forest.
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Central London.
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HRC Theatre
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Information about my idea.
Song: Dua Lipa - Want to
Style of dance: contemporary.
Inspirations: Lindsey sterling - shadows -https://youtu.be/JGCsyshUU-A electric dasiy - https://youtu.be/vxIOUJ7by6U Spontaneous me - https://youtu.be/pRPOztxXWlQ Elements - https://youtu.be/sf6LD2B_kDQ
Practioner inspiration: Martha Graham. She believed in revealing the inner man and saw the art of dance as a medium for the expression of intense human emotions.
A dance film is one in which dance and film/video are both integral to a work. This simple definition separates dance films from archival records of stage or site specific dance compositions. The makers of dance films consider the placement and movement of the camera, the lighting, the balance of foreground and background, and the composition within the framing of each shot in the overall choreography. A dance film can take many forms: documentary, dance designed for the camera (cine dance or screen dance), a screen adaptation of a stage work, animation, or kinetic abstraction.
The structure for a dance for the camera, otherwise known as a cine dance or screen dance, may be driven by a kinetic or visual design concept, poetry or narrative, imagery from reality or dreams, traditional or idiosyncratic musical forms. The intention may be to produce what cannot be conceived in a live performance or to stretch and condense a multi-media form.
The essential difference between an archival record of a stage work and what we are referring to as a dance film, a dance for the camera, is the involvement of the choreographer in a collaboration with a composer, cinematographer, editor, and a director. Alternatively, the choreographer may also assume all those roles him or herself.
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